Peter H. Smith

Peter H.  Smith

Faculty, Professor of Music Theory

Ph.D., Yale University
M.M., Juilliard
B.M., Juilliard

518 O'Neill Hall of Music and Sacred Music
(574) 631-8038

Peter H. Smith, Professor of Music and former Department Chair (2013-2019) and DUS (2007-2013 and 1999-2001), earned his Ph.D., M.Phil., and M.A. degrees in music theory from Yale University. While at Yale, he was a recipient of the prestigious Whiting Dissertation Fellowship. He also holds M.M. and B.M. degrees in viola performance from The Juilliard School, where his principal teacher was the famed Viennese violist Paul Doktor.

Smith’s research interests include the instrumental music of Brahms and related composers, Schenkerian approaches to analysis, and theories of musical form and expression. He has published articles on these topics in Music Theory Spectrum (1994, 2006, 2013, 2015, 2018), 19th-Century Music (1994), Journal of Music Theory (1995, 2000, 2006, 2014, 2016, 2019), Music Analysis (1997, 2001, 2009), Brahms Studies, volumes 2 and 3 (1998, 2001), Intégral (2007), Theory and Practice (2009), Journal of Schenkerian Studies (2013), Music Theory and Analysis (2016), and in the essay collection Rethinking Schumann (Oxford University Press, 2011). His book Expressive Forms in Brahms’s Instrumental Music: Structure and Meaning in His Werther Quartet was published by Indiana University Press in 2005. IU Press also published in 2012 the essay collection Expressive Intersections in Brahms: Essays in Analysis and Meaning, for which Smith served as co-editor and chapter contributor. He currently has forthcoming a study of Dvořák's sonata forms in Journal of Music Theory 64/2 (Fall 2020) and a comparison of Brahms’s and Dvořák's compositional approaches in Rethinking Brahms (Oxford University Press, 2022).

Smith regularly presents papers at the Annual Meeting of the Society for Music Theory, delivered the inaugural lecture for the Oxford University Seminar in Music Theory & Analysis (2018), and spoke at the Third, Fourth, and Fifth International Schenker Symposiums at the Mannes College of Music (1999, 2006, 2013). Additional international speaking engagements have included the Ninth and Eighth EuroMAC conferences in Strasbourg (2017) and Leuven, Belgium (2014), the Seventh International Conference on Music Theory in Tallinn, Estonia (2014), and invited lectures at the Asia Society (Hong Kong, 2015), Minzu University (Beijing, 2015), Beijing University (2019 and 2014), Fu Jen Catholic University (Taipei, 2013), and the National Taipei University of Education (2013). Smith also was a co-organizer for a conference titled Critical Perspectives on Schenker: Toward a New Research Paradigm at Notre Dame (1994) and has twice participated in the Mannes Institute for Advanced Studies in Music Theory (2002 Institute on Schenkerian Theory and Analysis and 2004 Institute on Musical Form).

Smith has been a member of the Board of Directors of the American Brahms Society since 1996 and has served as president (2012-2016) and vice president (2007-2011) of the Society. He currently serves as editor-in-chief of Music Theory Spectrum and on the editorial boards of Theory and Practice, Journal of Schenkerian Studies, and Indiana Theory Review, and previously served two terms (2017-2020 and 2006-2008) in that capacity for Music Theory Spectrum. He was a member of the Society for Music Theory’s Nominating Committee (2010–2011), Subventions Committee (2007-2008), Publications Committee (2006-2008), and Awards Committee (2000-2002). He has served Music Theory Midwest twice as a member of the Program Committee for the Annual Meeting (2004 and 1999 as Chair), as an Area Representative (1996-98), and twice as a member of the Awards Committee (2011 and 1994).

In addition to his work at Notre Dame, Smith has taught graduate seminars as a Visiting Professor in the Department of Music of the University of Chicago during the winter and spring of 2004.