“We study not only the pieces of music that these composers wrote but where they grew up, who they learned music from, and how previous composers influenced the type of music that they wrote,” says Samantha Osborn, a music major in Notre Dame’s College of Arts and Letters. “You really can’t understand a piece of music until you understand the history, politics, art—all of the influences that helped create that piece of music.”
“My long-term goal has been to go to med school, but I’ve also found a passion for music and piano performance here at Notre Dame, and the College of Arts and Letters pre-health supplementary major has really allowed me to explore both of those things,” says senior Will Sievern from Evansville, Indiana. Sievern is pursuing a major in piano performance while also majoring in Arts and Letters Pre-Health.
Among the most noticeable features of the Campus Crossroads Project’s design to enhance and harmonize the University of Notre Dame’s academic, athletic and student life programs will be the South Building, a six-level structure connected to the south side of Notre Dame Stadium, on which work will begin in November 2015.
Alexander Blachly's ensemble Pomerium performed a program of "Music for Imperial Augsburg, 1518-1548" at Vassar College on September 21, 2014, and then again on September 28, 2014, at Yale University. This was a program designed to accompany an exhibition of Imperial Augsburg, 1475-1550 at Vassar College; it included music by Isaac, Senfl, Crecquillon, and Gombert.
Three Notre Dame faculty members in the Department of Music teamed up with members of the South Bend Symphony Orchestra and two Chicago artists to film a dramatic performance of Arnold Schoenberg’s Pierrot lunaire, to be released in January.
“As a singer, I spend all my time dealing with texts. I sing poetry, I sing theatre, I’m singing in different languages, and all my training at Notre Dame helped me immensely for that,” says Paul Appleby ’05.